Showcasing Sally Black Basket Weaver
Sally's work is represented in major public and private collections worldwide.
Showcasing Sally Black Basket Weaver
Sally's work is represented in major public and private collections worldwide.
Sally's work is represented in major public and private collections worldwide.
Sally's work is represented in major public and private collections worldwide.
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Sally's work is represented in major public and private collections worldwide. Sally's baskets are featured in exhibitions and publications, including the Smithsonian Institution's National Museum of the American Indian and the Museum of Fine Arts, Boston.
Sally's national success as a basket artist began in the 1980s in Santa Fe, wher
Sally's work is represented in major public and private collections worldwide. Sally's baskets are featured in exhibitions and publications, including the Smithsonian Institution's National Museum of the American Indian and the Museum of Fine Arts, Boston.
Sally's national success as a basket artist began in the 1980s in Santa Fe, where she was honored for her unique approach to basketry. In 2012, she was a part of Seeds' Honor Women Art Share Project.
Sally is driven by a strong desire to create new and beautiful designs. She was an early innovator, along with her mother, in modifying the design of the ts'aa' (ceremonial basket). Ambitious and full of creative energy, her baskets are known for their intricate patterns, innovative colors, and impeccable craftsmanship. Her baskets are created with hand cut sumac.
Sally is an enrolled member of the Navajo Nation. A scholar of her culture, Sally has been deeply influenced by the art and traditions of the Navajo, Apache, and Tohono O'odham peoples. She is known for incorporating motifs from these cultures into her baskets and using large-scale forms and negative space. Her pieces employ Navajo symbo
Sally is an enrolled member of the Navajo Nation. A scholar of her culture, Sally has been deeply influenced by the art and traditions of the Navajo, Apache, and Tohono O'odham peoples. She is known for incorporating motifs from these cultures into her baskets and using large-scale forms and negative space. Her pieces employ Navajo symbolism like eagles and hummingbirds and images from outside the culture, such as the American flag.
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